Lullaby is the story of the murder of two young children by their nanny. That’s not a spoiler – that’s how it opens. It’s tense, tight, and enigmatic throughout. There’s a light touch about the writing, from the moment the middle-class but middle-eastern lawyer mother goes to the nanny agency and is treated rudely by the agent – until she realises she’s a potential customer, not a potential employee. An acknowledgement that bigotry is an everyday event for those who face it. The passing frustration, too, of the mother Myriam, re-entering the world of work, is deftly captured.
It doesn’t offer too much, or explain too much. We see the crippling poverty of the nanny, Louise. The way she is afraid to say no to anything. But the requests of the parents are just requests, and though they treat her as an employee, they’re not exploitative or demeaning. The children are ordinary children – with charms and challenges. It’s a mystery where we know exactly what happened at the start, but little about why it happened, and the answers aren’t easy or comfortable.
You’ll love this book if:
– You like complex, ambiguous characters
– You like a naturalistic ‘slice-of-life’ style – it’s a snapshot into upper-middle-class Parisian life
– You like a super-French aesthetic – think cigarettes all the time and dinner party conversation about people’s sex lives
You might want to avoid this book if:
– You find stories about children getting murdered upsetting
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