The ‘Not So’ Secret Diary of a Pawnbroker – Elliot Stanton

stanton pawnbrokerWhat a rich range of characters Elliot Stanton has encountered in his working life. And how well he brings them to life in this book. Pete Dawson, his narrator, is a fifty-year-old who is married to Kathy, with three grown-up children – Melissa, Simon and Leanne – and who has spent nearly all his working life as a pawnbroker in London. At fifty Pete is now part owner of a firm of East London pawnbrokers, jewellers and cheque cashers. The richness of the characters who are Pete’s customers in this book smacks of first-hand experience, as does the wealth of detail about the day-to-day running of the business. Stanton divides his characters into four categories – Normal, Disillusioned, Stubborn, and Funny.

We encounter characters like the various members of the Kowalski family, with their varying characteristics summed up by his narrator’s nicknames, such as The Appeaser, The Monobrow, or The Brave. Then there’s long-time regular customers Mavis Davis and her husband Bob, real old-fashioned Cockneys, who even invite Pete and Kathy to their home for an “evening soiree”, and Pete’s colleagues ­– business partner Phil, and Sabrina who works in the shop for them.

Sabrina is a young woman, who has graduated from working as the shop’s Saturday girl to being a regular employee. She has a long-term boyfriend, Daz, with whom she has endless problems and who sounds like a bit of a love-rat. I found the relationship between Pete and Sabrina not really credible and often too dominant in the book. I wanted to hear far more about the customers and their lives and problems. There were so many of them whom I wanted to know more about, whether it was the Kowalskis, the woman who keeps turning up wanting Pete to have dinner with her, or ex-Councillor Bridger with his array of musical instruments which he claims have played a major role in pop history (eg. the synthesizer played by Gary Numan, or the electric guitar played by Don Henley on Hotel California). Mrs Mullaly brings in fiery hot curries; Joy Ramsey has a different reason for her delay each time she calls. Numerous customers struggle with the complexities of basic maths in making payments, or have their hopes dashed to realise that the jewellery they believed to be gold is fake, or to find that Pete doesn’t believe that their Rolex is a genuine one and in either case the pawn value, if there is one, is pence. I’d have loved to know more about these people and their lives, and what brought them to this East London pawnbrokers.

Mr Stanton has some great ideas here and a wealth of characters and stories to tell – it’s a shame that he’s not always made the best of them. If he had concentrated on the other characters and left aside some of the detail with the narrator’s life and obsessions, such as with the upcoming Olympics, or his potential relationship with Sabrina, this could have been a really fascinating book, one telling the reader about a life of which most of us know nothing and would like to learn much. The other problem I had with what was in so many ways an engaging book was my annoyance with the overall lack of quality of proofreading throughout it. So many times I found there were simple mistakes with areas like use of punctuation or with layout, as well as some really basic errors that could and should easily have been corrected (e.g. “I slipped back out the shop to return at returned to work”).

Rating: 3 stars

Daisy Chapter and VerseReviewed by Daisy

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The Shadow on the Crown and The Price of Blood – Patricia Bracewell

 

shadow on the crownThese two are both part of a series and I’m reviewing them together because I read them together, one right after the other.

I usually avoid reading historical novels set in time periods that I actually know a little about (like the time I tried to read a medieval Mills & Boon and gave up on p.3 when one of the characters was named ‘Nicole’) but after reading Bracewell’s biography on Amazon I decided to give it a go.

I felt deeply deeply conflicted about this book. There were lots of things I really loved about it, but many many things also that I did not love. I read the two of them in a couple of days, so I can’t have hated it, and yet I came away with a feeling of irritation and dissatisfaction.

So, what did I like? All of the historical detail was wonderful. I loved all of the detail about the clothes and the architecture. The problem was, this was somewhat muffled by a tendency to patronise, like when right at the start, we have it spelled out to us that an archbishop is i.m.p.o.r.t.a.n.t. both politically and spiritually, as though this was some great revelation. Another huge bugbear for me was that Bracewell made out that Emma was some kind of genius for speaking more than one language – pretty common, especially for medieval princesses with non-native mothers, to speak several languages. But nonetheless, I thought it was a very vivid and convincing Anglo-Saxon world.

Which (unfortunately) brings me to my problems with the book. There were a few niggles with style. I found all of the Æthelred-haunted-by-ghost-of-his-brother stuff pretty cringe and clumsy, and he was ALWAYS very pointedly not listening to advice to the point that I was like I GET IT, HE IS UNREADY.* That said, I liked how Bracewell picked up on contemporary representations of Æthelred as a massive man-whore. Besides that, there were times when the descriptive language just didn’t work for me – some of the metaphors and smilies had me rolling my eyes to myself. Emma, at one point, feels ‘as cold and empty as a bell that had lost its tongue’. I mean, OK, but unless you are literally Virgil and you are going to commit, maybe leave the extended similes at home? Things like this didn’t add to something that was, at times, really vivid and engaging and just slowed me down as a reader and made me frustrated.

But even with those things, I think I would have been more favourably inclined were it not for my main sticking-point with these novels. Both The Shadow on the Crown and The Price of Blood are suffering from a pretty bad Madonna/Whore complex. They both centre around Emma and Elgiva (who is actually Ælfgifu of Northampton, but whom Bracewell has sensibly modernised in order to get around the fact that roughly 50% of the women associated with the royal court during the reigns of Æthelred and Cnut were called Ælfgifu). Emma is kind, wise, noble, principled, brave, beautiful, dignified and dutiful to a completely dickish husband. Elgiva is just your regular slutfaced ho-bag, complete with ‘wanton curls’, flashing eyes, and massive tits in a too-tight dress. Elgiva manages to be shallow, cowardly, reckless, simultaneously self-centred and co-dependent, ineffective and able to accidentally bring ruin on several of the people she comes into contact with. All in all, what might have been a wonderful series was hampered by one of its own great strengths, the fact that Bracewell obviously feels a very strong connection with Emma of Normandy. Emma could not be any more perfect, and this representation seems to come at the expense of almost every other character.

Similarly, I liked the political intrigue, and I thought that Bracewell captured the international tensions in C11th England really wonderfully, but characters tended to appear in black and white, rather than shades of grey. I liked the focus on the Æthelings, but Athelstan, who appears as something of a leading man, has no discernible personality beyond a) blue eyes, b) long-suffering dutifulness, and c) being more sensible than his father. The closest we get to rounded characters are Edmund (the future Edmund Ironside), who is not very nice to Emma but is probably OK, and is actually mainly painted as a sort of emo teenager with a sulking problem, and Svein Forkbeard, who is horrible all the time. (Some of the men say that they like him and he is a man of honour, but when he appears he is basically Stereotype Viking Who Likes Ships and Money and Rape.)

price of bloodSo… since I’ve said all of these negative things, why three and a half stars? Well, I did whizz through it, and even though a lot of it irritated me, I found it hard to put down. I’m also sure that if I had read these as a teenager, I would have completely loved them. There were moments that were really great, and all of the historical detail and the awareness of the complex webs of power were there, if the characters through which they were articulated sometimes felt a bit cut-out-y. I’m going to read the next one, so I can’t have disliked it that much!

Just as a side note, one of the Amazon reviews giving it 1* complains that it’s a ‘bodice ripper’. I would disagree with that characterisation. There’s some sex, sure, but it’s almost all “off-stage” in the first book apart from a brutal and upsetting rape. Now, I would classify a bodice-ripper as something like Philippa Gregory, filled with sort of escapisty sex that is unrealistically characterised by constant mutual ecstasy, and designed to titilate. This was – in my opinion – not the case with these novels.

So, to sum up a meandering and confused review, I felt confused. Ultimately, I would recommend these books to a friend, because I would be interested to know what they think. There’s some really engaging stuff going on in them, and I just felt like the strength of the characters didn’t match up to the strength of the wider representation of the period, and Bracewell’s obvious absorption with Emma (or the idea of Emma) ended up inhibiting the characters of those who appear “against” Emma. I think it was flawed, but I enjoyed it, and I’m going to finish the series when it comes out. Would be interested to know what anyone else thinks!

Rating: 3.5 stars

*Unready doesn’t mean unprepared; it’s from the Old English ‘ræd’, meaning advice.

Louise CAV ReviewsReviewed by Louise

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How to be a Heroine – Samantha Ellis

how to be a heroineHow to be a Heroine opens with the author recounting a good-natured argument she has had with her best friend Emma about the merits of Jane Eyre versus Cathy Earnshaw. Samantha Ellis is all for the passionate, wild and free-spirited Cathy and rejects Jane, while Emma thinks that Cathy is a silly snob who betrays Heathcliff for Edgar and a conventional life, and makes all three of them deeply unhappy by so doing, while Jane Eyre courageously goes her own way and finally marries Mr Rochester on her own terms. Samantha Ellis has had a lifelong dedication to Cathy and has read Wuthering Heights every year since she was a child, and has always thought that Cathy was her ideal heroine – but now she re-reads the book with fresh eyes and wonders if she was right to want to emulate Cathy. Should she really have been trying to be more like Jane, whom she now realises is not a meek and mild woman but a courageous one? After all, Jane bravely turns down both the offer to live in financial security with Rochester without being married once the truth about Bertha is revealed, and the offer of marriage from St. John.

Who is braver – Cathy opting for the comfortable life with Edgar or Jane facing financial insecurity in rejecting both these offers? The life of a single woman without money was hard beyond belief at the time.

This argument starts Samantha Ellis on a journey – revisiting her favourite fictional heroines, looking at them afresh, starting with her childhood love of Katy Carr (of What Katy Did and the other books in the series by Susan Coolidge) whom she now rejects as being a drip rather than a carefree rebel! Some of her heroines have stood her new test remarkably well, like Lizzy in Pride and Prejudice (my own Desert Island choice of books, and one to which I’ve returned time and time again), while others definitely don’t stand her new scrutiny and are rejected. In Gone with the Wind, Scarlett is replaced as Samantha’s chosen heroine by Melanie. Sara Crewe of A Little Princess is knocked off her pedestal for Ms Ellis by her pleasure at Becky, with whom she’s shared the attic in so many difficult times, becoming her “delighted attendant” once Sara is restored to her earlier wealthy lifestyle. (I differ on this – if she’d been many girls who’d grown up wealthy and returned to a wealthy lifestyle, she would have left Becky behind in the attic.)

But that’s one of the joys of this book – it made me read A Little Princess again and think about it in a new light, although I still came to the same conclusion. Samantha Ellis has made me want to re-read several more of my old favourites – books I’ve not read for many years. In Tess of the d’Urbervilles, Hardy created an extraordinary heroine – a woman of indomitable spirit and strength in facing the realities of her hard life. “Poverty and censure only make her stronger”… “She goes to her arrest like a goddess”, to quote Ms Ellis. It is not at all surprising that Hardy wept when he (spoiler alert) “killed off” Tess. Many of us weep whenever we read this.

The other great joy of How to be a Heroine is the author’s ability to make her readers want to join her through reading books they’ve not previously read. I’ve never, perhaps to my shame, read Sylvia Plath’s The Bell Jar, but now it’s rapidly headed to the top of my to-read list, along with Little House in the Big Woods, Cold Comfort Farm and South Riding. How have I never read any of these? I blame my old-fashioned English degree, in which anything past 1900 was considered too modern to be worthy of our attention. Samantha Ellis sums up her feelings for these novels and their heroines in such a clear, pithy style that she’s made me want to read more, to find out if I agree or disagree with her. I’m sure she won’t mind at all if her readers do disagree – I’m sure that what she wanted with this book was to get people reading her favourite books. After all, this quest for her started with a debate with her friend Emma about Wuthering Heights and Jane Eyre. The important thing is that we read books and think and talk about them.

Woven into her journey through her favourite books, Samantha Ellis gives us her life story; she’s the heroine of her own book in many ways. She’s a playwright and journalist, a Cambridge graduate who defied her family who wanted her to stay in London for her studies, and who has battled with epilepsy since being a young adult.

In short, if you love books I strongly recommend this as a stimulating and thought-provoking read. I defy you to read it without wanting to add more books to your to-read list!

Rating: 5 stars

Daisy Chapter and VerseReviewed by Daisy

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Hollywood Hearts Ablaze – Kris Ashton

hollywood hearts ablazeGina Hall is a Hollywood executive producer and one tough lady. She uses the casting couch at the ripple of a pec, and if a wannabe actor doesn’t perform he’s history. Poor Tony Cantori, desperate for a part, is easy meat, “like a good meal, filling, satisfying” but disposable. Even Winkles, her cat who shares her penthouse, is “sleek, black and lithe”.

Then along comes Jack Triton with “his jutting, hard jawline and thespian smile”. At first he is affronted by the casting couch and with “his head high above his broad shoulders” he “leaves with angry strides”.

But all is resolved over real movie talk, the gym and “naughty” hamburgers:

Jack bit into his hamburger, a beatific expression passing across his face.
‘Mmm, grease,’ Jack said. ‘It’s been a long time.’

They get together and are forced apart. Will they be together at the end?

The movie industry and some thin sub-plots lurk in the background. Gina oversteps the mark and is demoted. Will she recover? Will she learn? Grow up?

It’s a quick read and has entertainment value, and I guess that’s all that’s intended. If you are put off by the following, it’s probably not for you; but if this appeals, tongue in cheek or not…

She tugged… and his tent-pole popped free

A lustful sound that approached disbelief

His words hung there like rotting carcasses

Denim-clad shaft

Enjoy!

Rating: 3 stars

CAV Profile RichardReviewed by Richard

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The Gentlemen’s Club – Emmanuelle De Maupassant

gentlemen's clubSo I downloaded this erotica after seeing it listed on a BuzzFeed list of books that are sexier than Fifty Shades of Grey. Well, I can certainly 100% say that it was better than Fifty Shades of Grey.

That out of the way, was it completely my thing? Not really, to be honest. There was a little too much of a proclivity towards awkward metaphors for me (‘truncheon’, ‘jungle’), although perhaps others might like that. Me, I like my cards on the table when graphic sex scenes are the order of the day.

However, there was a lot to recommend this. It’s very atmospheric (think The Ruby in the Smoke, but instead of intrigue and murder just sex sex sex), for a start, and certainly feeds perfectly into our fetish for just the right kind of kinky Victoriana – what everyone hopes was secretly going down (as it were) while the general population were pretending to be repressed. If you want tight corsets and silken whips then you’re right on the money with this one. It’s short, sharp and packed with sexy-business, so a definite recommend.

There was also an interesting emphasis on affirmative consent. Now, this really stuck out when I read it. Perhaps it shouldn’t have done. It seemed somewhat laboured against the backdrop of “no means yes” Mills & Boon and the downright rapey sex in parts of Fifty Shades to have all of the women being asked if they wanted it, and affirming their consent. But why should it have done? And it certainly didn’t spoil the atmosphere. It really made me think about what we “read” as coercive in erotica. This was refreshingly affirmative, and what was offered up as sexy (and what was sexy) was an embracing of female desire and an affirmation of female sexual agency.

Was this a crie de coeur for feminist sexuality? I suppose so. But the point is, it was that without compromising on any of the generic must-haves of erotica. It was that without pushing that button explicitly in its writing. This stuff should be normal. It’s the other side of the coin, and it’s high time female desire had its voice.

Rating: 4 stars

Louise CAV ReviewsReviewed by Louise 

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Elizabeth is Missing – Emma Healey

elizabeth is missingI reckon that many fiction publishers have latched onto the fact that there are a lot of very keen readers for novels which switch between different times and different narrators. In the case of Elizabeth is Missing, it’s actually the same narrator – Maud – but in a voice much altered by the passage of time, so that the effect is almost of two distinctly different people.

Or so it seems at first. The more you read, the more you see the similarities between the younger and older person. Maud as the older narrator is suffering from dementia and her voice and obsessions have become simple and child-like. She can no longer remember what she’s done earlier in the day, but parts of the distant past have become crystal clear to her. Maud is now obsessed with trying to find her friend Elizabeth, whom she is convinced is missing through some ill treatment. Maud repeatedly goes over the same ground (literally), going back and forth to Elizabeth’s house and, apparently, to the police station to report her disappearance. Maud writes herself notes to try to aid her memory and to keep a record of the important facts she’s convinced she’s discovering.

Maud’s present-day journeys awaken memories of her sister Sukey and of her efforts to find her when she went missing many decades before. In her search for Elizabeth, Maud discovers the truth, or at least a part of the truth, about Sukey’s disappearance. The younger Maud had become ill and was protected by her parents, and now that she is old it is her daughter and granddaughter, Helen and Katy, who are trying to protect her. Time and time again we see struggles within families with different generations attempting to look after parents living in difficult situations or fighting mental instability or infirmity. Young Maud’s family had a lodger, Douglas, whose home had been bombed out and who was secretly trying to protect and look after his elderly “mad” mother, while also repeatedly hunting for Sukey.

All the characters in Elizabeth is Missing are coping with the loss of a loved one and/or the loss of possessions and a home. Sukey’s husband (and possible nemesis) Frank, goes from being surrounded by an abundance of possessions – so many that it’s hard to move around his house – to having nothing and being reduced to living on the outside of society. Maud, too, both as a child and as an old woman hoards possessions, whether these be oddments which she regards as clues found while walking and looking for her sister or for Elizabeth, or tins of peaches. Like Frank, like the bombed-out Douglas and like Elizabeth, she is finally inevitably reduced to having to have very few possessions.

Emma Healey deals with these ideas with clarity and sympathy, without ever losing sight of her current-day or older characters or plots. To anyone with older relatives or with close friends or family members with mental health problems, this can be a difficult book to read, being at times painfully honest about the problems faced in a relationship where communication has often broken down to the extent that one side no longer recognises the identity of the other. This is the well-deserved winner of the Costa First Novel Award for 2014, and I look forward to reading more from this terrific new talent.

Rating: 5 stars

Daisy Chapter and VerseReviewed by Daisy

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On a Small Island – Grant Nicol

When the author sent through the review copy of this book, he said, ‘I hope you enjoy it.’

on a small islandEnjoy’ is the wrong word. In fact, I don’t think I’ve ever been more upset or unsettled by a novel. Grant Nicol tells the story of Ylfa, a free-spirited but directionless young woman living on her own in Reykjavik. When a young man is horribly murdered on her father’s farm she is determined to unravel the mystery. However, she isn’t prepared for what follows. What should have been an isolated incident spins into a dark and crooked tale involving kidnapping, arson and rape.

At its heart, On a Small Island is about our inability to escape our past. The setting in Iceland is perfect, and Nicol gives a wonderful sense of the claustrophobia of a small community. The denouement is unfortunately handled a little too quickly, but the book remains gripping throughout.

I’m not sure I can say all that much more without giving too much away. Read this book. Just don’t expect to sleep easily for the next week or so.

Rating: 4.5 stars

profile2Reviewed by Nick

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Author Guest Post! Ten Fantasy Novels You Must Read (Or Re-read) – Part 2

Lavinia Collins, author of Arthurian #1 bestselling fantasy romance The Warrior Queen, picks the second half of her top ten must-read fantasy novels. 

She regularly blogs here, and you can follow her on Twitter here

 

magician's nephew5. The Magician’s Nephew and The Voyage of the Dawn Treader – C S Lewis

If you’re only going to read some of the Chronicles of Narnia, make it these two. Tired of the Oh-So-Obvious Christian allegory of The Lion, the Witch and the Wardrobe? Replace it with the guinea-pig-related genuinely batshit crazy antics of The Magician’s Nephew and the swashbuckling (including talking mouse) of The Voyage of the Dawn Treader. Just avoid The Horse and His Boy. That’s a filler novel if ever I saw one!

 

princess bride4. The Princess Bride – William Goldman

This is just a classic. Also, if you haven’t seen the film with Robin Wright then go away and watch it now, because you are not yet a fully formed human. Just look out for those rodents…

 

lathe of heaven3. The Lathe of Heaven – Ursula K Le Guin

Something a little bit more real-world gritty than the Earthsea books (which I also love, anyway). I guess it’s shading into sci-fi as well as fantasy, but I’m including it because I am the boss of my list. It’s great, but it will mess with your head. Prepare to never dream the same way again!

 

across the nightingale floor2. Across the Nightingale Floor – Lian Hearn

So I don’t know how far this counts as a fantasy, but it certainly read as a fantasy to me (there are people who can turn themselves invisible, and there’s the eponymous magical/mechanical floor). But it’s a pleasantly light touch of fantasy. “Magic” isn’t all over the place, but there are touches of it, along with a beautiful love story and plenty of intrigue. A lot of the Goodreads reviews complain of historical inaccuracy – I know nothing about Japanese history so this didn’t bother me, but I doubt that it would bother me in the slightest anyway. I think if anyone complained that my own novels did not historically reflect sixth-century Britain, I would tell them to grow up and develop a sense of fiction. Just by the by, also, Lian Hearn herself is a complete babe, and very lovely to overcome fangirly fans who shyly approach her via her Facebook page.

 

artemis fowl1. Artemis Fowl – Eoin Colfer

Fantasy for teens at its best, IMHO. Colfer combines magic, technology and a boy with a girl’s name into a series of unputdownable (apparently a real word) fantasy novels that just writing this makes me want to immediately go away and read again.

 

So there they all are, my top ten. Many are old favourites, but there’s nothing wrong with that. A good book is a friend that lasts forever.

Love and kisses,

Lav ❤

 

lavinia collins author

Guest post by Lavinia Collins

Lavinia Collins is the author of Arthurian #1 bestselling fantasy romance The Warrior QueenShe regularly blogs here, and you can follow her on Twitter here

Author Guest Post! Ten Fantasy Novels You Must Read (Or Re-read) – Part 1

Lavinia Collins, author of Arthurian #1 bestselling fantasy romance The Warrior Queen, picks her top ten must-read fantasy novels. Expect Part 2 at the same time next week!

She regularly blogs here, and you can follow her on Twitter here

 

mists of avalon10. The Mists of Avalon – Marion Zimmer Bradley

I have to recommend this one. It’s like my moral duty. Oddly enough this book was something of a sexual awakening moment for me. I was only eleven when I read it, which probably goes some way to explaining why I have ended up writing in the genre that I’m in…

 

9. The Dark is Rising – Susan Cooperdark is rising

If you didn’t read this as a child, read it now! Seriously, go away now and read it. It’s dark, it’s engrossing, it’s perfect in every single way.

 

sabriel

8. Sabriel – Garth Nix

A great young adult fantasy, from before when YA was zeitgeisty. A necromancer’s daughter has to step into his shoes when he dies unexpectedly, helped only by a talking cat, and a naked man who has forgotten his name. Wonderful; a whole world to fall into, and the right mix of gritty “real life” YA drama along with the magic.

 

7. haunting alaizabel cray The Haunting of Alaizabel Cray – Chris Wooding

Ghosts and ghouls and everything in between in a fantasy Victorian London. Sure, it’s a tune we’ve heard before, but The Haunting of Alaizazbel Cray is a particularly fine version of that tune.

 

mirror_dreams_uncut6. Mirror Dreams – Catherine Webb

No one has ever heard of this book. As a child, I read it in one day on a camping holiday. It is, truly, one of the best books I have ever read. There’s a world we go to when we dream, and the dream wizards have to keep the nightmare people out. So far, so pedestrian. But enter the hero: Leanan Kite accidentally defeated the Lord of Nightmare as a young man, but now he’s getting older, and he wants to be left alone. When dark forces begin to threaten again, suddenly the pressure is on him to repeat what he miraculously managed before. It’s a subtle, skilful narrative of an unlikely hero who’s crippled by other people’s expectations. It’s touching, the magic world is immersive and I am so so sad that it seems to be out of print now. It is one of the best novels I have ever read.

Go to Part 2 now. 

lavinia collins authorGuest post by Lavinia Collins

Lavinia Collins is the author of Arthurian #1 bestselling fantasy romance The Warrior QueenShe regularly blogs here, and you can follow her on Twitter here

Conquests – Emily Murdoch

In many ways, this was a charming noveemily murdochlla with much to recommend it. Certainly, post-conquest Britain is a fascinating and under-represented time in historical fiction, and Murdoch clearly knows her stuff. The historical setting is there. But I felt there were also a few issues with the novella.

First, and this is just an irritant really, it hadn’t been properly edited. Seasons get muddled, dresses change colour, and some grammatical errors persist. All of these things distract from the story, and could have been easily prevented.

And then we come to the main plot, and the characters. This was the sticking point for me.

In the main, though, I think the issue is that this book has been improperly marketed. Look at that cover; you’re thinking Philippa Gregory, right? Well, if you’re looking for dashing rakes and heaving bosoms then I’m afraid you’ve come to the wrong place. Phillippa Gregory Murdoch ain’t, despite what the publisher’s blurb claims. This book isn’t an adult romance. That’s not necessarily an issue. Plenty of people prefer their love-tales chaste (and this is SERIOUSLY chaste – they marry and then there’s one kiss, and LOTS of talking about the kiss), but for readers like myself who prefer a little heat in their romance, this isn’t the way to go.

But what I do think is that this book would be perfect for a tween and teen audience. It’s basically Jacqueline Wilson does the Norman Conquest. There’s lots of chaste romance, talking earnestly about issues, and a nice, goody-two-shoes narrator. Think Girls In Love, but with Normans and Anglo-Saxons. No, no, it’s more chaste than Girls in Love. But anyway, you get the point – it’s short and sweet in a way that would appeal to girls in the 11–15 age bracket.

So, in essence, this book wasn’t for me, but it had a lot to recommend it, and it would suit a younger audience than the one it is marketed towards. I think the publishers made an error suggesting it for fans of Philippa Gregory, and I think someone in the editing process really dropped the ball. But it’s worth a look for teens, if you don’t want them reading about exactly what Henry VIII liked to have done to him in bed yet. 

Rating: 3.5 stars

Louise CAV ReviewsReviewed by Louise

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